Stefana McClure
Born in Lisburn, Northern Ireland, 1959
Lives and works in New York, USA
Education, Grants & Scholarships
2017Frank Williams Visiting Artist at Wellesley College, Wellesley, Massachusetts, USA
2011Visiting Artist, Hochschule für Bildende Kunst Saar, Saarbrücken, Germany
2011Artist in Residence, Field Institute Hombroich, Stiftung Insel Hombroich, Neuss, Germany
2010Artist in Residence, Field Institute Hombroich, Stiftung Insel Hombroich, Neuss, Germany
2008Artist in Residence, University of Central Arkansas, Conway, AR
2008Artist in Residence, Field Institute Hombroich, Stiftung Insel Hombroich, Neuss, Germany
2001-2002Pollock-Krasner Foundation Grant
1998Visiting Artist, Awagami Paper Mill, Awayamakawa, Japan
1993-1995Monbusho Scholarship to study Papermaking at Kyoto Seika University, Japan
1993-1995Post-graduate studies in papermaking, Kyoto Seika University, Kyoto, Japan
1980-1984BA in Sculpture, Hornsey College of Art, London, UK
Selected Solo Exhibitions
2024The Importance of Elsewhere, Thomas Park, Seoul, Korea
2022The Language of Dissent, Bartha Contemporary Ltd., London
2021I See You Seeing Me (Meeting the Female Gaze), Bienvenu Steinberg & Partner, New York, USA
2020The Sleeper, 2-person show with Susan Morris, Bartha Contemporary, London, UK
2019Percussion! 2-person show with Johana Moscoso, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania, USA
2018Whatever You Say Say Nothing, Josée Bienvenu Gallery, New York, USA
2017Sleeper at Sleeper, Sleeper, Edinburgh, Scotland
2017What's Yours is Mine, 2-person show with Jill Baroff, Bartha Contemporary, London, UK
2015The Siege of the Flying Mermaids, Josée Bienvenu Gallery, New York, USA
2015POSSIBLE SIDE EFFECTS, Arróniz Arte Contemporáneo, Mexico City, Mexico
2013Science is FICTION, Bartha Contemporary, London, UK
2011Dublin Contemporary 2011, Dublin, Ireland
2011Secrets & Lies, Josée Bienvenu Gallery, New York, USA
2010The Dream Life of Angels, ArtON, Bonn, Germany
2009The Blue Planet, Bartha Contemporary, London, UK
2008The Beat That My Heart Skipped, Josée Bienvenu Gallery, New York, USA
2007TRANSFER | MANGA and FILMS on PAPER, Fruehsorge, Galerie Für Zeichnung, Berlin, Germany
2006The Shape of Time, Kunstverein Grafschaft Bentheim, Neuenhaus, Germany
2006The Year of Spaghetti and other Works on Paper, Josée Bienvenu Gallery, New York, USA
2005films on paper, Galerie Yvon Lambert, Paris, France
2004Don't Look Now and other Films on Paper, Hosfelt Gallery, San Francisco, California, USA
2003Lost in Translation: fiction filmed; films on paper; dictionary drawings, Cristinerose/Josée Bienvenu Gallery, New York, USA
2003Scope Miami (Cristinerose/Josée Bienvenu Gallery, New York), Florida, USA
2002films on paper, 123 watts, New York, NY, USA
2000Footnotes and Subtitles, Wynn Kramarsky, New York, USA
Selected Group Exhibitions
2025Context, curated by Meg Hitchcock, Rare Book & Manuscript Library, Columbia University, New York
2025…and going on, drj art projects, Berlin, Germany
2025Anonyme Zeichner*innen, Kunsthaus Erfurt, Erfurt Germany
2025Sequential Gestures II: Serial Approaches in Contemporary Art, Bartha Contemporary, London
2024Anonyme Zeichner*innen, 2024, Kunstraum Kreuzberg Bethanien, Berlin, Germany
2024Wish You Were Here: The Second Best Time is Now, A.I.R. Gallery, Brooklyn, NY
2024RED, Bartha Contemporary Ltd., London
2024Regarding Thomas: A Brief Survey of the Beginning, Thomas Park Gallery, Seoul, Korea
2024The Stone Age, Bienvenu Steinberg & J, New York
2024Postcards from the Edge, Berry Campbell Gallery, NY
2023Immigrant Centuries: 2023 A.I.R. Postcard Exhibition, A.I.R. Gallery, Brooklyn, NY
2023PROFIL: selected works from the Schroth Collection, drj art projects, Berlin, Germany
2023The Way Things Go, Bienvenu Steinberg & Partner, New York, USA
2022The Gorgeous Nothings, curated by Susan Morris, Bartha Contemporary, London, UK
2022MirrorMirror: American Self-Portraits in the Expanded Field, Bo Bartlett Center, Columbus State University, Columbus, Georgia
2022My Body/My Choice: 2022 Postcard Show, A.I.R. Gallery, Brooklyn, New York, USA
2022Repetitive Forms (Sometimes Singular), Raum Scroth, Museum Wilhelm Morgner, Soest, Germany
2022Making A Mark: Contemporary Drawings, Portland Art Museum, Portland, Oregon, USA
2022En Quelques Mots, curated by Lucile Bertrand, La Maison des Arts de Schaerbeek, Brussels, Belgium
2021Art as Revelation, St. Andrew's Episcopal Church, St. Andrew's, Scotland, UK
2021Art as Revelation, Upstairs @ J & G Innes Ltd., St. Andrew's, Scotland, UK
2021Inaspettatamente, from the Frédéric de Goldschmidt Collection, Cloud Seven, Brussels, Belgium
2021Hand in Hand, Bienvenu Steinberg & Partner, New York, USA
2021Freedom & Captivity, SPACE, Portland, Maine, USA
2021Summer Highlights, Bartha Contemporary, London
2021First Responders, curated by Barbara Pollack and Anne Verhallen, artatatimelikethis.com (online)
2020Mother Tongue/Language, The Immigrant Artist Biennial, New York, USA
2020The Sky is Blue, ARTWORKS 2020, Carlow Arts Festival and VISUAL Carlow, Carlow, Ireland
2020COMPLEX STATES: Art in the Years of Brexit, curated by Catherine Harrington and Vassiliki Tzanakou, Gallery 46, London, UK
2020Stay Home, Make Art, curated by Anna Conlan, Samuel Dorsky Museum of Art, New Paltz, New York, USA
2020CURRENTS: An Overwhelming Response, curated by Carmen Hermo, A.I.R. Gallery, Brooklyn, New York, USA
2019Joie de Vivre, Bartha Contemporary, London, UK
2019Flora/Fauna, curated by Calli Moore, Josée Bienvenu Gallery, New York, USA
2019Useless: Art Machines for Dreaming, Thinking, and Seeing, curated by Gerardo Mosquera, The Bronx Museum of the Arts, New York, USA
2019Should I Stay or Should I Go? Patrick Heide Contemporary Art, London, UK
2019Drawn Together Again, The Flag Art Foundation, New York, USA
2019Chronicled in Clay, Ceramics and the Art of the Story, Minnesota Center for Book Arts, Minneapolis, Minnesota, USA
2018Parking on Pavement, The School, Jack Shainman Gallery, Kinderhook, New York, USA
2018White Covers, curated by Carine Fol, Frédéric de Goldschmidt Collection, Brussels, Belgium
2017The Times, The Flag Art Foundation, New York, NY
2017Format: 35 Jahre Sammlung Scroth, Raum Scroth, Museum Wilhelm Morgner, Soest, Germany
2017Deep Cuts: Contemporary Paper Cutting, Currier Museum of Art, Manchester, New Hampshire, USA
2017Accrochage, Bartha Contemporary, London, UK
2017Die Frick Kollektion: works from the Kunstsammlung Mezzanin, Liechtenstein, curated by Arno Egger, Kunst Palais Liechtenstein, Feldkirch, Austria
2016Cut Up/Cut Out, Bedford Gallery at the Lesher Center for the Arts, Walnut Creek, California, USA
2016Homage: Works from the Williams Collection, Wellesley, Massachusetts, USA
2016Radical Drawings, Josée Bienvenu Gallery, New York, USA
2015TIME SHIFT: SINGULAR FORMS (SOMETIMES REPEATED), Bartha Contemporary, London, UK
2015The Presence of Absence, Berloni (curated by Paul Carey Kent), London, UK
2015duets, Matteawan Gallery, Beacon, New York, USA
2015The Suspended Line, Josée Bienvenu Gallery, New York, USA
2015Postcards from the Edge, Luhring Augustine, New York, NY, USA
2014Art=Text=Art: Private Languages/Public Systems, UB Anderson Gallery, University at Buffalo, the State University of New York, USA
2014WUNDERKAMMER, Bartha Contemporary, London, UK
2014Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, New York, USA
2014Simply Drawn: Gifts to the Columbus Museum from the Collection of Wynn Kramarsky Columbus Museum, Columbus, Georgia, USA
2014Art Protects, Galerie Yvon Lambert, Paris, France
2014Postcards from the Edge, Luhring Augustine, New York, NY, USA
2014There is no such thing as a good decision, Josée Bienvenu Gallery, New York, NY, USA
2013Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York, USA
2013Meridian, Tryon St., London, UK
2013Visiting an Imaginary Art Collector, Das Kleine Museum - Kultur auf der Peunt, Weißenstadt, Germany
2013Practice and Process, Ann Street Gallery, Newburgh, New York, USA
2013Sammlung Schroth, New Acquisitions V: FARBEN – COLOURS, Kunstmuseum Wilhelm-Morgner-Haus, Soest, Germany
2013P.U.G. Projects Presents: Orange Alert 3D, Sigunik Studios, Hudson River Bindery, Newburgh, New York, USA
2013GEO-GRAPHIC EXHIBITION, Graphispag, Barcelona, Spain
2013Indian Tantric + Western Contemporary, Bartha Contemporary, London, UK
2013Art=Text=Art: Works by Contemporary Artists, The Hafnarfjör∂ur Centre of Culture and Fine Art, Hafnarfjör∂ur, Iceland
2013Passing Time, curated by C 2 , Massachusetts College of Art and Design, Boston, Massachusetts, USA
2013Postcards from the Edge, Sikkema Jenkins & Co., New York, USA
2013Collecting for the Cornell, Cornell Fine Arts Museum at Rollins College, Winter Park, FL, USA
2013Sin Titulo, Joseé Bienvenu Gallery and Elizabeth Dee, New York, USA
2013ROCK-PAPER-SCISSORS, Magrorocca, Milan, Italy
2012Art=Text=Art: Works by Contemporary Artists, Zimmerli Art Museum, New Brunswick, New Jersey, USA
2012Passing Time, curated by C 2 , Erza and Cecile Zilkha Gallery at Wesleyan University, Middletown, travelling to: Salina Art Center, Kansas, USA
2012Works on Paper by Gallery Artists, Bartha Contemporary, London, UK
2012Space vs Shape: Works on Paper by Sculptors, The Museum of Fine Arts, Houston, TX
2012Information, Sammlung Schroth, Kloster Wedinghausen, Arnsberg, Germany
2012Passing Time, Erza and Cecile Zilkha Gallery at Wesleyan University (curated by CuratorSquared), Middletown, Connecticut, USA
2011Art=Text=Art: Works by Contemporary Artists, University of Richmond Museum, Richmond, Virginia, USA
2011Art Protects, Galerie Yvon Lambert, Paris, France
2011Drawn/Taped/Burned: Abstraction on Paper, Katonah Museum of Art, Katonah, New York, USA
2010Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany
2010First Supper, Josée Bienvenu Gallery, New York, USA
2010Postcards from the Edge, Ziehersmith, New York, USA
2010Night of 1,000 Drawings, City Hall, Conway, Arkansas, USA
2009Home Schooled, Peter Fingesten Gallery (curated by Dana Greenidge), Pace University, New York, USA
2009Artists Against Aids, Galerie Yvon Lambert, Paris, France
2009Summer Shortcuts: a Drawing Forecast, Josée Bienvenu Gallery, New York, USA
2009Obsession! 09, Adler & Co. Gallery, San Francisco, California, USA
2009Drawing 2009, The Drawing Room, London, UK
2009Microwave, seven, Judi Rotenburg Gallery, Boston, Massachusetts, USA
2009Illiterature, curated by Mark Carter, Arena 1 Gallery, Santa Monica, California, USA
2009Leaded: The Materiality and Metamorphosis of Graphite, Memorial Art Gallery, University of Rochester, Rochester, New York, USA
2009Travelling to: Yellowstone Art Museum, Billings, Montana, USA
2009Travelling to: Palmer Museum of Art, The Pennsylvania State University, University Park, Pennsylvania, USA
2009Cutters, curated by Mary Birmingham, Leubsdorf Gallery at Hunter College, New York, USA
2009All Over The Map, John Michael Kohler Arts Center, Sheboygan, Wisconsin, USA
2008Accrochage, Bartha Contemporary, London, UK
2008Illiterature, curated by Mark Carter, Limn Art Gallery, San Francisco, California, USA
2008Edges of Darkness, Hamish Morrison Galerie, Berlin, Germany
2008Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, Ohio, USA
2008The Cartin Collection at ars libri, Boston, Massachusetts, USA
2008BLOWN AWAY, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, IL, USA
2008Leaded: The Materiality and Metamorphosis of Graphite, Western Gallery, Western Bellingham, Washington, USA
2008Travelling to: Baum Gallery of Fine Art, University of Central Arkansas, Conway, Arkansas, USA
2007Textual Insight, Gallery W52, New York, USA
2007Postcards from the Edge, James Cohan Gallery, New York, USA
2007Artists Against Aids, Galerie Yvon Lambert, Paris, France
2007Leaded: The Materiality and Metamorphosis of Graphite, University of Richmond Museum, Richmond, Virginia, USA
2007Travelling to: Bedford Gallery at the Dean Lesher Regional Center for the Arts, Walnut Creek, California, USA
2007What is a Line? Drawings from the Collection, Yale University Art Gallery, New Haven, Connecticut, USA
2006Visual Aids: Postcards from the Edge, Sikkema Jenkins & Co., New York, USA
2006Third Anniversary Exhibition, Fruehsorge, Galerie Für Zeichnung, Berlin, Germany
2005New Acquisitions, The Indianapolis Museum of Art, Indianapolis, Indiana, USA
2005Pages (organised by Buzz Spector), I Space, the Chicago Gallery of the University of Illinois at Urbana-Champaign, Chicago, Illinois, USA
2005Chronos: Time in Art from the Baroque Period to the Present Day, Il Filatoio, Caraglio, Italy
2005Four Times One From Two Thousand and Six, Fruehsorge, Galerie Für Zeichnung, Berlin, Germany
2005Minimalist Art Now, Elvehjem Museum of Art, University of Madison, Wisconsin, USA
2005Dating Data, Josée Bienvenu Gallery, New York, USA
2005Artists for Tsunami Relief, Phillips de Pury & Co., New York, USA
2004Infinite Possibilities: Serial Imagery in 20 th Century Drawing, Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, USA
2004Brooklyn Gravity Racers: Pierogi a Go-Go, Pierogi, Brooklyn, New York, USA
2004Intense Focus, Elizabeth Leach Gallery, Portland, Oregon, USA
2004MACO, Mexico City (Josée Bienvenu Gallery, New York), Mexico
2004Microwave: Troy/des Troy, Sicardi Gallery, Houston, Texas, USA
2004Troy Story, Hosfelt Gallery, San Francisco, California, USA
200310 Jahre: Kunstverein Grafschaft Bentheim, Neuenhaus, Germany
2003Film Revival: Reinvigorating Abstraction in Painting and Drawing, Dorsky Gallery, Long Island City, New York, USA
2003Pages, Cristinerose/Josée Bienvenu Gallery, New York, USA
2003Graphite and Paper, Gallery Joe, Philadelphia, PA, USA
2003Manic, curated by Nancy Doll, Dumbo Arts Center, Brooklyn, New York, USA
2003Split: Women in Dislocation, Center for Curatorial Studies, Bard College, Annandale on Hudson, New York, USA
2003Drawings of Choice from a New York Collection, Georgia Museum of Art, Athens, Georgia, USA
2003Travelling to: Cincinnati Museum of Art, Cincinnati, Ohio, USA
2002Art on paper, The Weatherspoon Art Museum, UNC, Greensboro, North Carolina, USA
2002Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, USA
2002Ad Infinitum, a selection of serial works from the collection, Wynn Kramarsky, New York, USA
2002Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois at Urbana Champaign, Champaign, Illinois, USA
2002Travelling to: Arkansas Art Center, Little Rock, Arkansas, USA
2002The Microwave, Cristinerose/Josée Bienvenu Gallery, New York, USA
2001Five Views of Japan, The Museum of East Asian Art, Bath, UK
2001microwave, three, 123 watts, New York, USA
2001By Hand: Pattern, Precision and Repetition in Contemporary Drawing, University Art Museum California State University, Long Beach, California, USA
2000Pollock Gallery, Meadows School of the Arts, Southern Methodist University Drawing, Allston Skirt Gallery, Boston, Massachusetts, USA
2000The Daiwa Foundation, London, UK
1999The Artistic Possibilities of the Line, Landesgalerie, Landesmuseum, Linz, Austria
1998Drawing Tea, British Artists Exhibition, Kodo-san, Honen-in, Kyoto, Japan
1997Kampai, Women Artists Exhibition, Tanto Tanto, Kyoto, Japan
1996Chiaroscuro, Women Artists Exhibition, Gallery Kishodo, Kyoto, Japan
1996Drawing, Gallery Gallery, Kyoto, Japan
1995Paper Paper, 2-person show with Moya Bligh, Gallery Gallery, Kyoto, Japan
1995Two person show with Kinuko Naito, Art Gallery, Takefu, Japan
1995Wood & Paper, Fuji Gallery, Osaka, Japan
1995Touch Please Show, International Paper Symposium '95, Meirin Primary School, Yamaguchi, Japan
1994The Celtic Festival, Invited Artist, Tokyo, Japan
199419 th All-Japan Student Print Show, Machida, Tokyo, Award, Japan
19941 st Asahi Beer Foreign Students Art Exhibition, Tokyo, Japan
1994Kyoto Seika University Students show, Kyoto International Community House, Japan
1994Offering, Women Artists Group Exhibition, Gallery Kishodo, Kyoto, Japan
1993Kyoto Seika University Students show, Kyoto International Community House, Japan
19913rd Foreign Students Arts & Crafts Exhibition, Minor Award, Museum of Kyoto, Japan
19891st Foreign Students Arts & Crafts Exhibition, Museum of Kyoto, Japan
1986Detail, Covent Garden, London, UK
1984Art at home, Islington, London, UK
1984Degree Show, Seven Dials Gallery, London, UK
Selected Public Collections
Minneapolis Institute of Art, Minneapolis, MN
RISD Museum, Providence, Rhode Island, USA
Chazen Museum of Art, Madison, Wisconsin, USA
Portland Art Museum, Portland, Oregon, USA
Davis Museum at Wellesley College, Wellesley, Massachusetts, USA
Philadelphia Museum of Art, Philadelphia, USA
Hood Museum of Art, Hanover, New Hampshire, USA
Kunstmuseum Bonn, Germany
Cartin Collection, Hartford, Connecticut, USA
SONS, Kruishoufem, Belgium
Stiftung Konzeptuelle Kunst, Soest, Germany
Mezzanin Stiftung für Kunst, Schaan, Liechtenstein
Alfond Collection of Contemporary Art, Rollins College, Winter Park, Florida, USA
Museum Folkwang, Essen, Germany
Seattle Art Museum, Seattle, Washington, USA
Das Kleine Museum, Weißenstadt, Germany
The Columbus Museum, Columbus, Georgia, USA
Hornsey College of Art, London, UK
The Machida City International Print Museum, Tokyo, Japan
Art Haven 9, Kyoto, Japan
Kyoto Seika University, Kyoto, Japan
Werner H. Kramarsky, New York, USA
Yale University Art Gallery, New Haven, Connecticut, USA
Indianapolis Museum of Art, Indianapolis, Indiana, USA
Museum of Modern Art, New York, USA
Baltimore Museum of Art, Baltimore, Maryland, USA
Charles Schwab & Company Inc., San Francisco, California, USA
The Museum of Fine Arts, Houston, Texas, USA
Fogg Art Museum, Harvard University Art Museums, Cambridge, Massachusetts, USA
Staatsgalerie Stuttgart, Stuttgart, Germany
Selected Bibliography
2025Joe Graham, The Serial Legacy of Alexej Jawlensky, catalogue essay for Alexej Jawlensky at the Louisiana Museum of Art, Denmark, January
2024Stefana McClure: Cheyrl: a jazz standard by Charlie Parker, ToCall No. 20: a tribute to Ruth Wolf-Rehfeldt, June
2024Bartha Contemporary presents the group exhibition RED, Art Daily, June 9th
2023Stefana McClure: Deconstructing Silent Spring, a book by Rachel Carson, ToCall No. 19, December
2023Joe Graham, Seeing Serially: Harman's Object-Oriented Ontology Encountering Serial Drawing, Journal of Aesthetics and Phenomenology, Volume 10, Issue 1, October
2023Stefana McClure: Wings of Desire: English subtitles to a film by Wim Wenders, The Quarter(ly): Let's Go to the Movies, July
2023Stefana McClure: Gag Order For Japan: Our Reliable Friend Pluto, cover image, Abridged 0 – 94: Steverin, July
2022Jan Garden Castro, Stefana McClure at Bienvenu Steinberg & Partner, NY, Sculpture Magazine, September 6th
2022Stefana McClure: Map of the World (United States), Abridged 0 – 82 Axis, August
2022Barbara A MacAdam, Studio Visit & Gallery Viewing with Stefana McClure, Art & Object, July 13th
2022Marion Heier, Repetitive Forms im Raum Scroth, Westfalium, July 12th
2022Oswald Egger, Das Buch von Drehen und Wenden der Blätter, published on behalf of Stiftung Insel Hombroich, June
2022Anne Reverseau, En Quelques Mots…(Bruxelles), L'Exporateur, Carnet de Visites, May
2022Christine Van Acker, En Quelques Mots, in Façons de Voir, Par ouïe-dire, RTBF, April 21st
2022Julie Huon, Arts plastiques: au pied de la lettre, Le Soir, April 19th
2022Jean-Marie Wynants, Des mots, des images et des regards à la Maison des Arts de Schaerbeck, Le Soir, April 12th
2022Catherine de Poortere, En Quelques Mots…à La Maison des Arts de Schaerbeck, Point Culture, March 23rd
2022Guy Duplat, Le Mot Tue La Chose en La Nommant, La Libre, February 24th
2022Judith Condé, En Quelques Mots…à La Maison des Arts de Schaerbeck, Le Suricate Magazine, February 22nd
2022Xavier Ess, Jouer Sur Les Mots à La Maison des Arts de Schaerbeck, rtbf.be, February 18th
2022Lucile Bertrand, catalogue essay for En Quelques Mots…February
2022Full House, edited by Frédéric de Goldschmidt, Yale University Press, January
2021Stefana McClure: Sucking Stones (for Molloy), cover image, Pocket Lint #3, November
2021Joe Graham, Serial Drawing: Space, Time and the Art Object, Bloomsbury Visual Arts, November
2021Stefana McClure in Hand in Hand at Bienvenu Steinberg & Partner, New York Art Tours, October 25th
2021Stefana McClure: Calling on All Silent Minorities, Pocket Lint #2, July
2021Stefana McClure: Museum of Stones, inaugural issue of Pocket Lint, April
2021Stefana McClure, Eviction: a poem by Eaavan Boland, two poetry-wrapped stones, La Vague Journal, Issue 14, April
2021A) GLIMPSE) OF/ New Narratives for the Now, THE JUNTA TRAP: IN SOLIDARITY, March
2020ToCall No.13, Special issue on female artists and poets, December
2020Pivots and Collaborations: The Remarkable Women Behind The Immigrant Artist Biennial Share Their Curatorial Process, Art Zealo, November 6th
2020PROTEST, PROPHECY, PLAY, The Vassar Review, November
2020Kunst als Fremdsprache (Art as a Foreign Language), Radio Folkwang, October 31st
2020Complex States: Art in the Years of Brexit, Athina 9.84, October 30th
2020Stefana McClure: Protest Stones, Abridged 0 – 60 ECHO, August
2020ToCall No.11, Special issue on Concrete Poetry and Alphabets, July
2020Gudrun Thiessen-Schneider, editor, Stay at Home, Remain Visible, April
2020Stefana McClure: Reconstructed Books, Esopus Freak: An Upstate Zine, March
2020Stefana McClure: Protest Stones: Casualty, a poem by Seamus Heaney, Stone Canoe #14, February
2020ArtScene, interview with Erika Funke, WVIA Public Media, January 16th
2019Anita Holmes, "Percussion!" Exhibit Opens in Art Gallery, The Highlander, November 21st
2019Mary Therese Biebel, "Percussion!" exhibit opens at Misericordia University, Times Leader, November 2nd
2019Stefana McClure: Protest Stones: Casualty, Transcend: A Literary Magazine, September
2019Ernesto Menéndez-Conde, Inútiles: Máquinas para sonar, pensar y ver, Hypermedia Magazine, July 13th
2019FACT, FICTION, FABRICATION, The Vassar Review, June
2019Inspired by Kyoto, Kyoto Journal, Issue 94, June
2019Gerardo Mosquera, of art, machines, and uselessness, catalogue essay, April
2019Ian Birell, So Long, Farewell, Auf Wiedersehen, Goodbye? The Cultural Impact of Brexit, Damnº Magazine, issue 72, April
2019Paul Carey-Kent, Recommended London Exhibitions, April, Artlyst, April 1st
2019Exhibition Questions Notions of Utility, Rationality and Progress, Art Daily, March 27th
2019Elizabeth Schultz, The New Art of Moby Dick, Leviathan, Volume 21, Number 1, pp. 7 – 96, March
2019Elena Martinique, How Are Contemporary Artists Treating Brexit Amid the Stall in the Talks? Widewalls, March 11th
2019Should I Stay or Should I Go? at Patrick Heide Contemporary Art, London, Blouin Artinfo, February 26th
2018Barbara A. MacAdam, Vasari Diary: The Poetic Politics of Stefana McClure and Annabel Daou, ArtNews, December 20th
2018Stefana McClure: Reconfigured Books, Tales From the Forest Magazine, Issue #7, Continuity, February 25th
2018Stefana McClure: Reconfigured Books, The Bohemyth, January 23
2017Stefana McClure: Silver Streams, Issue #3, Christmas 2017
2017Behind the Art: An Interview with Jill Baroff and Stefana McClure, Ennigaldi Journal, October 11th
2017Jill Baroff and Stefana McClure: What's Yours is Mine at Bartha Contemporary, Ennigaldi Journal, October 4th
2017Bartha Contemporary opens Jill Baroff and Stefana McClure's first joint exhibition at the gallery, Art Daily, September 18th
2017Juliane Rogge, Format: 35 Jahre Sammlung Scroth, catalogue essay, August
2017Samantha Cataldo, Deep Cuts: Contemporary Paper Cutting, catalogue essay
2016Rachael Arauz, Homage, catalogue essay, July
2016Carmen Hermo, Stefana McClure, Tactile Translations, Asympote
2015Molly Osberg, Stefana McClure Tackles the Divide Between Word and Image, Artsy Editorial, December 11th
2015Rowena Hawkins, The Presence of Absence at Berloni Gallery, The Upcoming, February 5th
2015Paul Carey-Kent, The Presence of Absence, catalogue essay, January
2014Gudrun Thiessen-Schneider, 20 Jahre, catalogue essay, September
2014Karin Lipson, Shredded, Sliced and Covered Up, New York Times, May
2014Jaap le Poole, The Grey Areasin Between Cultures, Color Objects: An Interview with Stefana McClure, qu.ee/r Magazine, January
2014Faheem Haider, The Nuclei of a Material World, Hyperallergic
2013Featured in Geo Graphic by Index Book, January
2013Presutti, Kelly, "Stefana McClure", Art for Rollins (Catalogue), Rollins College, Cornell Fine Arts Museum, Winter Park, Florida
2013Science Fiction in the Form of a Series of Manga Drawings on View at Bartha Contemporary, Artdaily
2013Paul Carey-Kent, Women in Charge in April: Ten Recommended Contemporary Art Shows in London Now, Paul's Art World
2013Kitty Walsh, Science is Fiction: An Interview with Stefana McClure, One Stop Arts
2013Anna McNay, Stefana McClure: Science is Fiction, Diva Magazine
2013Laura Schwarz, Minimal Art, Architectural Digest, October
2013Eiketsu Baba, Stefana McClure – New Works, Attack Ebisu, November
2012Emily Sessions, Code, Art=Text=Art: Works by Contemporary Artists, Zimmerli Art Museum, New Brunswick, New Jersey, September
2012N. Elizabeth Schlatter, What Does A Drawing Sound Like? Works by Contemporary Artists, Zimmerli Art Museum, New Brunswick, New Jersey, October
2012N. Elizabeth Schlatter, (Art + Text) x Change = Art, curator's essay, Art=Text=Art: Works by Contemporary Artists
2011University of Richmond Museum, Richmond, Virginia, August
2011Curt Riegelnegg, The Disclosure Quotient, Dublin Contemporary Blog, July
2011Carmen Hermo, Carmen Hermo on Stefana McClure, catalogue essay
2011Art=Text=Art: Works by Contemporary Artists, University of Richmond Museum, Richmond, VA, August
2011John Haber, A Stone's Throw Away, Lee Ufan, Stefana McClure, and Idris Khan, Haber's Art Reviews, April
2011Ellen Keiter, Drawing Conclusions, curator's essay, Drawn/Taped/Burned: Abstraction on Paper, Katonah Museum of Art, Katonah, New Jersey, January
2011Karen Schiff, Karen Schiff on Stefana McClure, catalogue essay, Drawn/Taped/Burned: Abstraction on Paper, Katonah Museum of Art, Katonah, New Jersey, January
2009Art World recommends, Stefana McClure: The Blue Planet, Bartha Contemporary, London, Art World, June/July
2009Martin Newman, Stefana McClure's The Blue Planet at Bartha Contemporary, Daily Mirror, May 7th
2009Cover image, Le Journal Des Arts, April 3rd
2009Leah Ollman, Illiterature at Arena 1 Gallery, Los Angeles Times, March 5th
2009Mary Birmingham, Cutters, catalogue essay, January
2009Robert Davis, Life Camera Action: Films on Paper, Paste Magazine (web edition), January 22nd
2008Laura James, Atlas Sung: CAC's Uncoordinated and American Idyll dissect Globalization and Popular Culture in New Ways, City Beat, June 18th
2008Clare Norwood, Uncoordinated: Mapping Cartography in Contemporary Art, catalogue essay, May
2008Gary Demuth, More Than Just Drawing, Salina Journal, March 28th
2008Ginger Gregg Duggan, Shock and Awe, catalogue essay for the exhibition Blown Away, organised by Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, January
2008Judith Hoos Fox, Blown Up, catalogue essay for the exhibition Blown Away, organised by Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign, January
2007Eshoo, Amy, editor, 560 Broadway: a New York Drawing Collection at Work, Yale University Press, November
2007Joao Ribas, Textual Insight, catalogue essay, November
2007N. Elizabeth Schlatter, Leaded: The Materiality and Metamorphosis of Graphite, catalogue essay, August
2007Roy Proctor, Graphite Show on Tap, Richmond Times-Dispatch, August 19th
2007Alison B. Adams et al. What is a Line? Drawings from the Collection, exhibition catalogue, Yale University Art Gallery, April
2006Reena Jana, How It Was Done, Art on Paper Vol 10, NO 6, July/August
2006Markus Weckesser, On the work of Jill Baroff and Stefana McClure, catalogue essay, The Shape of Time, Kunstverein Grafschaft Bentheim, Neuenhaus, Germany, May
2006Thomas Kriegisch, Ein ganzer Spielfilm in nur einem Bild, Grafschafter Nachrichten, May 20th
2006Bryony Roberts, Art in the City: Stefana McClure: The Year of Spaghetti and other Works on Paper, The L Magazine, May
2006Natasa Durovicova, The Seen, The Heard, and The Read, Canadian Journal of Film Studies, April 1st
2005Andrea Busto, Alberto Cottino and Francisco Poles, editors, Chronos, June
2005Luca Beatrice, Films on Paper, Duellanti, May
2005Lauren Ross, "Dating Data" at Josée Bienvenu Gallery, Art on Paper. May/June
2005Kevin Lynch, Minimalist Art Now opens at Elvehjem, The Capital Times, February 4th
2004Kelly Klaasmeyer, OCDelight: Intricate, Time-intensive works go up at Sicardi gallery, Houston Press, October 14th
2004Prudence Peiffer, One Day After Another: Seriality And The Stuttering Word, from Infinite Possibilities, Serial Imagery in 20 th -Century Drawings, Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September
2004Gabrielle Gopinath, The Double Life of Serial Drawing, from Infinite Possibilities, Serial Imagery in 20th - Century Drawings, Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September
2004Randi Hopkins, Rikki Don't Lose That Number: "Infinite Possibilities" at Wellesley, The Boston Phoenix, September 3rd
2004Atom Egoyan and Ian Balfour, editors, Subtitles: on the Foreignness of Film, MIT Press and Alphabet City Media, September
2003Gudrun Thiessen-Schneider, 10 Jahre, catalogue essay, October
2003Reuben M. Baron & Joan Boycoff Baron, Film Revival: Reinvigorating Abstraction in Painting and Drawing, catalogue essay, September
2003Ken Johnson, Film Revival, Art Guide, Galleries: Other Galleries, The New York Times
2003Claire Barliant, The Microwave, Art on Paper, January-February
2002Nancy Doll and Ron Platt, The 37 th Exhibition of Art on Paper, catalogue essay
2002Josef Helfenstein and Jonathan Fineberg, editors, Drawings of Choice from a New York Collection
2002Ken Johnson, The Microwave, Art Guide, Galleries: Chelsea, The New York Times, October 4
2002Claire Barliant, Choosing paper, Art on Paper, May-June
2002Aruna D'Souza and Tom McDonough, An Aesthetics of Dispersal: Succession and Seriality, May
2002Ann Landi, Stefana McClure at 123 watts, New York reviews, ArtNews, May
2002George Weinberg, New Exhibit Explores Aesthetics of Language, The Yale Herald
2001Holly Myers, "By Hand" Embraces Inconvenience, Los Angeles Times, September 19th
2001Scarlet Cheng, Look Ma, No Computers, Los Angeles Times, August
2001Mary-Kay Lombino, By Hand: Pattern, Precision and Repetition in Contemporary Drawing, catalogue essay, University Art Museum, College of the Arts, California State University, Long Beach
2001Barbara A. MacAdam, The Microwave, ArtNews, New York, April
2000Janet Kutner, Collector Drawn to Emerging Artists, Dallas Morning News
2000Van Keuren et al., On Drawing: A Conversation
2000Gregory Volk, Concentrated Words, catalogue essay, Footnotes and Subtitles, Wynn Kramarsky
2000Kyoto Ibe, Contemporary Papermaking
1999Peter Assmann, The Art of the Line, Exhibition catalogue pp. 278-279 ill.
1996Ryoko Ishimura, Mainichi Shimbun, April 24
1996Koso Kikusawa, Kyoto Shimbun, April 24
1996John Hart Benson, The Japan Times, April 20
1996Kahori Sakane, The Daily Yomiuri, April 17